LCV has performed at Royal Albert Hall, O2 Arena, The Barbican, Royal Festival Hall, Brixton Academy, Hammersmith Appollo, The Roundhouse, Union Chapel and many more. The group’s “pop alter-ego” is regularly seen at festivals, flashmobs, pop-ups and parties as YesYesYes Party choir. LCV Choir has its own following in the world of alternative, leftfield and electronic music – checkout the LCV band site. Opera Workshop, Advanced Opera seminar, Voice Pedagogy, Arts Leadership, Lyric Diction courses. London Contemporary Voices is known for an extensive repertoire of over 200 unique covers including pop, indie, electronic, classical, gospel, soul and club anthems. Master of Music in Conducting (Contemporary Ensembles). LCV has worked with artists across a diverse range of genres including U2, Sam Smith, James Bay, Marcus Mumford (Mumford & Sons), Andrea Bocelli, Joss Stone, Alt-J, Basement Jaxx, Laura Mvula, Imogen Heap, Jarvis Cocker, John Grant, Richard Hawley, Susanne Sundfør, Nitin Sawhney, Nicole Scherzinger, Craig David, Little Mix, The Vamps, Ella Eyre, Newton Faulkner and many more. ![]() Since then the choir has worked with 100+ artists including 19 Grammy winners/nominees. World-leading alternative choir with a unique contemporary sound founded by artist Anil Sebastian for Imogen Heap’s concert Love The Earth at Royal Albert Hall in 2010. Its engagement with the complexities of vocal production should also be relevant to students and scholars of voice science, acoustics, linguistics, computer modeling, and more. With more than 250 illustrations, 150 associated audio tracks, an extended appendix on voice science, a glossary of key terms, and lists of representative compositions, The 21st-Century Voice will appeal to composers and performers interested in exploring the ever-broadening range of vocal possibilities. Divided into four parts-air flow, source, resonance/articulation, and heightened potentials-Edgerton considers crucial matters affecting vocal production, such as: registral challenges filtering airflow modification combinatorial, multiphonic principles extreme voice possibilities multidimensional vocal issues. Appearing a decade after the publication of the first edition, this second edition draws on and advances our current understandings of voice production. Much more than a historical treatise on 20th-century masterworks or vocal science, The 21st-Century Voice explores experimental methods of sound production, offering a systematic series of approaches and methods for assessing, engaging, and, in some instances, overcoming the assumed limits of vocal singing. Throughout, he proposes new directions for vocal exploration. In The 21st-Century Voice: Contemporary and Traditional Extra-Normal Voice, Michael Edward Edgerton considers contemporary vocal techniques within an acoustic and anatomical framework. ![]()
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